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gold and enamel cup

 

Description
The cup is of oval section and stands on a domed foot with a shaped border. The foot is decorated in opaque and translucent enamel with grotesque masks, sprays of flowers, and a coat of arms flanked by the initials G.N.C.A.R.C.I.; on the underside are four more grotesque masks. The stem is formed as three dolphins with entwined tails enamelled in translucent green on a blue base. The lower part of the bowl is moulded and decorated with a band of translucent enamelled flowers, with an inscription above reading,

LEOPOLDO IMPERATORI SIT LONGAEVA VITA ET PROSPERITAS
(long life and prosperity to Emperor Leopold).

The eight-lobed upper part of the cup is decorated with applied pierced and polychrome enamelled panels of flowers and exotic birds and incorporates a portrait medallion of Emperor Leopold I.

Construction
The foot and bowl are raised, and the stem is hollow cast. A gold shaft of square section with a screw thread at the lower end is soldered to the base of the bowl; it passes through the foot and is attached by a nut on the underside. Each enamelled panel appears to be attached by three small screws soldered to the bowl.

Heraldry
The arms are those of Rosenberg, for Reichsgraf (count) Georg Nikolaus zu Rosenberg (1623-1695), privy councillor to the Holy Roman Emperor Leopold I (r. 1658-1705) and Berggraf of Känten, also known as Carinthia, in southern Austria.

Commentary
This gold cup was presented in 1665 by Count Georg Nikolaus zu Rosenberg to Emperor Leopold I in commemoration of the signing of a peace treaty with the Turks at Vasvar in the previous year. The initials around the coat of arms stand for "Georg Nikolaus Consilarius Augustus Romanorum Caesar Imperator" (Georg Nikolaus, privy councillor to the Holy Roman Emperor). The Latin inscription on the bowl contains in cryptic form the date of presentation, which can be deduced by regarding the larger capital letters as Roman numerals and adding them together, producing the sum of 1665.

A presentation of such opulence clearly reflects the extent of the Turkish inroads made in south-eastern Europe at this time by demonstrating the degree of gratitude of a major landowner whose estates and entire fortune had been seriously threatened before the peace.

The absence of any marks makes impossible a firm attribution of the cup to one particular centre. The most striking parallel, however, is between the enamelled panels on the Rosenberg cup and those on a table clock of about 1670 by Heinrich Mannlich of Augsburg and it is on this comparison that the present provisional attribution is based.

Glossaries

raised - formed from a single sheet of metal by repeated hammering over an anvil

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Photo: gold and enamel cup
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Gold and enamel cup presented to the Holy Roman Emporor Leopold I, in 1665.

 

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