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'Napoleon Bonaparte' clock

 

Description
The clock is mounted on top of a triumphal arch of red and white antique marble. The façade has four agate pilasters with Corinthian capitals and bases of gilt bronze. Between the pilasters are four panels of lapis lazuli and two of micromosaic bearing military trophies. The vault of the arch is faced with red marble caissons decorated with gilt-bronze rosettes. On the interior and exterior sides of the pilasters are panels of jasper and lapis lazuli framed in gilt-bronze beading and edged in red antique marble. The colonnade on the front consists of four amethyst columns with Corinthian capitals and gilt-bronze bases; the cornice and top are of red antique marble; the frieze is white marble decorated with ox skulls of gilt bronze.

The top part of the clock consists of a marble block on a granite base, edged with red antique marble, with pilasters of jasper and panels of lapis lazuli. At the centre, the clock dial is surmounted by a trophy of arms in gilt bronze with a winged Victory on one side and Fame on the other, plus an eagle and cockerel on the corners. At the centre of the arch is a statuette of Mars in gilt bronze on a stone base.

The marble structure is signed on the back GIACOMO RAFAELLI / FECE ANNO 1804. The clock has a calendar hand and engine-turned surround, quarter-striking movement numbered 304 and stamped IPCR, and outside rack striking. Upon the upper clock face are the words BREGUET / A PARIS.,

Commentary
This masterpiece of neoclassical design and workmanship is signed and dated by the foremost mosaicist in Rome, Giacomo Raffaelli, in 1804. The figures on the clock are of great virtuosity and may have been made in Raffaelli's workshop in the Via S Sebastianello.

The maker of the clock movement was Abraham-Louis Breguet, a genius in the history of European horology. Sent by his stepfather to study watchmaking at the College Mazarin in Versailles when he was fifteen, he displayed an extraordinary talent that brought him to the attention of royal clients. By 1775, he had opened his own shop in Paris at quai d'Horlogue, where he dedicated himself to perfecting complex and costly instruments like the self-winding watch, a speciality that earned him international renown and many patrons.

The clock was among the gifts chosen by Antonio Canova (1757-1822) to be taken to Paris by Pius VII, who had been asked to preside over Napoleon Bonaparte's consecration and coronation as Emperor. The clock later found its way to Malmaison, one of the luxurious residences the Emperor had acquired for Josephine before their marriage was dissolved. It is listed in her death inventory of 1814.

Glossaries

agate - a hard stone with strips of colour
pilaster - a rectangular column with a capital and a base, projecting only slightly from a wall as an ornamental motif
Corinthian - one of the classical orders of Greek architecture
capital - the top part of a column
gilt, gilding - the embellishment of silver, bronze or other material with a thin layer of gold
lapis lazuli - an opaque blue stone used as a semiprecious gem
jasper - a gemstone, usually coloured red from iron impurities
amethyst - translucent violet variety of quartz used as a gemstone
frieze - a decorative horizontal band
granite- a course-grained rock

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Photo: ornate clock mounted on triumphal arch of marble and hardstones
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Ornate clock presented to Napoleon Bonaparte by Pope Pius VII on the occasion of his consecration and coronation as Emperor.

 

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